Now I have four individual books, plus an anthology, that have been published in India and abroad.In The Professional, the bits that are mine are the metaphor of water. Ashok’s journey into the literary world began during a stressful phase in his life. Because he is water; he flows and fits into other people’s containers.K. Narayanan (for his simplicity in portraying human condition), Ashok says that young writers should learn to tap into their subconscious. The second thing is even more important, especially for a south Asian writer: you have to lose your self-consciousness.”The author of Colpetty People and The Good Little Ceylonese Girl, which were shortlisted for Sri Lanka’s Gratiaen Award, points out that his latest book, The Professional, borrows nuances from his experience as a builder in London.
The builder-turned-author-turned personal fitness trainer confesses, “I think even on my deathbed, I will still be shy to call myself an author. Everybody has family, and we are so ashamed of writing what we really want to because we think about how they would react to it. I had a career as a builder before and I have a degree in pure mathematics from Oxford. The easiest person to steal from is yourself. So, in a way, the writing came last of all; but as they say, the last of it is the best.Says Sri Lankan author Ashok Ferrey, whose latest novel borrows fleetingly from his own life experiences but veers off into a shocking domain The book is about a Sri Lankan man who escorts women Says Sri Lankan author Ashok Ferrey, whose latest novel borrows fleetingly from his own life experiences but veers off into a shocking domainAshok Ferrey says he’s shy to call himself a ‘writer’.
He is not strong enough to have his own container. He finds it easier to fit into other people’s lives and environment. I had to do that and it stressed me out. My brother was in New York and my sister in London.” A fan of authors Graham China electric water heater Suppliers Greene (for his interplay with good and evil) and R. But then, my father got cancer. It is just the bits that you choose to portray. The book is about a Sri Lankan man Chamath, an Oxford graduate, who is a suit-and-tie “professional”, who escorts women on dates and occasionally sleeps with them (for a fee, of course). There was nobody I could speak to. You know your experiences. It is easy to put yourself in your book but that is not you. The protagonist despises himself because he is like water in a glass. We steal other people’s characters. He reminisces, “I returned to Sri Lanka back in the 1980s as a builder.
At that time, I was the only person at home. You have to learn to lose your self-conscious. For instance, you may think that you like blue, but you may discover that in your subconscious, you like green, because it is a wicked colour. Yet, I only started writing in my 40s. He assumes the shape of the container he’s put into. “As a writer, you have to delve into your subconscious because you are writing from the depths of your being. I took to writing, which was a stress buster for me. So, by writing, I was speaking to myself. But of course, the other circumstances are not about me,” says the author. “All writers are thieves. That is how I am. So there was nobody to take care of him and make life-changing decisions. You have to be careful about what you say to a writer. It is very difficult, but it is important,” he signs off. Your truth is in your subconscious
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